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BOOKS and CATALOGUES

L'art baoulé: du visible et de l'invisible (translation) Adam Biro, Paris, 2000

BAULE: African Art / Western Eyes, Yale University Press, 1997

Exhibition-ism: African Art and Museums, with Mary Nooter Roberts and Chris Muller, The Museum for African Art, 1994

Africa Explores: 20th Century African Art, Prestel Verlag and The Center for African Art, 1991

Closeup: Lessons in the Art of Seeing African Sculpture, (with Jerry L. Thompson), Prestel Verlag and The Center for African Art, New York, 1990

The Art of Collecting African Art, The Center for African Art, New York, 1988

Art/Artifact, (edited), "Foreword," and "Introduction," pp.10-17, Prestel Verlag and The Center for African Art, New York, 1988 (reprinted in Morphy and Perkins (eds.) The Anthroplogy of Art: A Reader, Blackwell, 2006

Perspectives: Angles on African Art, Harry Abrams Inc. and The Center for African Art, New York, 1987

African Aesthetics: The Carlo Monzino Collection, The Center for African Art, New York, 1985

African Masterpieces from the Musée de l'Homme, (with Francine N'Diaye), Harry Abrams Inc. and The Center for African Art, New York, 1985

For Spirits and Kings (edited), Harry Abrams Inc. and The Metropolitan Museum, New York, 1981

African Sculpture: the Shape of Surprise, Greenvale, 1980

Gods of Fortune: the Cult of the Hand in Nigeria, The Museum of Primitive Art 1974




ARTICLES

"People of Wood: Baule figure sculpture" in The Art Journal Vol.33, p.23-26, 1973

"Africa" in The Chase, The Capture, The Metropolitan Museum 1974

"African Art" in Primitive Art Masterworks, The American Federation of Arts, 1975

"Fakes, Fakers, and Fakery" in African Arts Vol.IX, no.3, p.62, 1976

"Zairian Authenticity" in Artforum Vol. XIV no.10, p.38-42, 1976

"Art and Politics, a Staff from the Court of Benin" in The Metropolitan Museum Journal, Vol.13, pp.87-100, 1978

"African Ivories" in African Arts Vol.XII, no.1, pp.96-98, 1978

"The Gebauer Collection at the Metropolitan" in Art of Cameroon by Paul Gebauer, pp.295-361, 1978

"Dogon Sculpture" in African Arts Vol.XII, no.3, p.88, 1979

"African Art" in Notable Acquisitions 1975-1979 The Metropolitan Museum of Art, New York, pp. 92-94, 1979

"Baule and Yoruba Art Criticism, a Comparison" in World Anthropology: The Visual Arts, Plastic and Graphic, Mouton pp. 309-325, 1980

Beauty in the Eyes of the Baule; Aesthetics and Cultural Values, ISHI, Philadelphia, 1980

"The Buli Master and Other Hands" in Art in America, pp. 132-142, May 1980. Reprinted in Berlo and Wilson (eds.) Arts of Africa, Oceania and the Americas: Selected Readings

"African Art" in Notable Acquisitions 1980-1981 The Metropolitan Museum of Art, New York, pp. 73-74, 1981

"Bringing African Art to the Metropolitan Museum" in African Arts Vol. XV, no. 2, pp. 38-45, 1982

"Nigerian Bronze Rings" in Art of Metal in Africa, The African-American Institute, New York 1982

"Rapacious Birds and Severed Heads: Early Bronze Rings from Nigeria" in The Art Institute of Chicago Centennial Lectures (Museum Studies 10) pp. 330-357, 1983

"Collecting African Art at The Metropolitan Museum of Art" in Quaderni Poro, Milan 3, 1982

"The Sheep Wears His Spots Where He Pleases, or the Question of Regional Styles in Baule Sculpture" in Iowa Studies in African Art Vol. 1, 1983

"New York: The Metropolitan Museum" in Critica d'Arte Vol. I, 2d ser.,no. 1, pp. 40-53, Spring 1984

"Introduction" in Sets, Series and Ensembles in African Art, Harry Abrams Inc.and The Center for African Art, New York, pp.9-16,1985

"African Aesthetics and the Art of the Ancient Mali" in The Menil Collection, Houston, pp. 124-155, 1987

"Baule Scarification: The Mark of Civilization" in Marks of Civilization, Los Angles, pp. 97-105, 1988

"Introduction" in Africa and the Renaissance, Prestel Verlag and The Center for African Art, New York, pp. 11-20, 1988

"Always True to the Object in our Fashion" in Exhibiting Cultures, Smithsonian Institution,191-204, 1991

"Paesi Africani", in Punti Cardinale dell'Arte, Esposizione Internazionale d'Arte, La Biennale di Venezia,140-147, 1993

32 Catalogue entries on Baule art in Art of Cote d'Ivoire J-P Barbier, ed. Vol. II, 117-148, 1993

"Out of Africa and into the (Western) Living Room," in Western Artists/African Art, 1994

"Into the Future: A New Teaching Role for Museums," in Yale University Art Gallery Bulletin 1995-1996

"Art and the Individual in Baule Life," in Tribal Arts, 44-51, Winter, 1997

"Translations into Unknown Languages: International Exhibitions," p. 136-141, in Conversations at the Castle: Changing Audiences and Contemporary Art, Cambridge and London, 1998

"Known Artists but Anonymous Works: Fieldwork and Art History" in African Arts, vol.32, no.1, p.40-55, 1999

"Objets africains dans les musées d'art: évolution d'un paradoxe" in Du Musée colonial au musée des cultures du monde, p. 219-224, Paris, 2000

"Idol Becomes Art!" a 32 page brochure with commentary and an edited roundtable discussion created to accompany the film FANG, 2001

"Somono Puppet Masquerades in Kirango, Mali" (10 photographs accompanying text by Mary Jo Arnoldi) in African Arts Vol. 34, no.1, 2001, p.72­77.

"Whither African Art? Emerging Scholarship at the End of an Era," African Arts Vol. 38, no.4, 2005, p.12-17. (Guest Editor of issue on Emerging Scholarship based on April 2004 Symposium at Columbia University)

"L'art africain, l'obscurité et le musée du quai Branly," in Le débat (Galimard) No. 147, Nov-Dec 2007 pp. 178-192.